George Isarlov, Georges Braque, Paris, 1932, no. 28, p. 15
Stanislas Fumet, Georges Braque, Paris, 1965, illustrated p. 22
Massimo Carrà & Marco Valsecchi, L’Opera completa di Braque dalla scomposizione cubista al recupero dell'oggetto 1908-1929, Milan, 1971, no. 18, illustrated p. 86
Marcel Giry, Le Fauvisme: ses origines, son évolution, Neuchâtel, 1981, illustrated in color pl. 111 (titled Paysage à L’Estaque)
Nicole Worms de Romilly & Jean Laude, Braque, cubism, 1907–1914, Paris, 1982, illustrated p. 25
Jeanine Warnod, “Fauves en délire” in Le Figaro, Paris, June 2, 1991, illustrated p. 23
Pierre Daix, “Le Cubisme de Braque” in Connaissances des Arts, Paris, 1992, illustrated in color p. 29
Flaminio Gualdoni, “La Svizzera riscopre il genio di Braque” in Gente, Milan, June 15, 1992, illustrated p. 113
William Packer, “A cubist of classical order” in Financial Times, London, June 20, 1992
Giovanni Testori, “Grandi mostre. Ommagio della Svizzera a Georges Braque. Un’antologica alla Fondazione Gianadda di Martigny” in Corriere della Sera, Milan, June 28, 1992
Mireille Descombes, “Braque, le génie consciencieux” in L’Hebdo, no. 27, Paris, July 2–8, 1992, illustrated in color p. 65
“Georges Braque” in L’Officiel de la couture et de la mode de Paris, Paris, August 1992, illustrated n.p.
G.R. Koch, “Das vitale und das Fragile. Der Maler als zartes und träumerisches Vogelwesen: Bilder von Georges Braque in Martigny” in Frankfurter Allgemeine Zeitung, Frankfurt, August 4, 1992
“Matisse, Braque, côtoyant le monde en images ou l’art populaire” in Marie France, Paris, September 1992, illustrated p. 156
Georges Braque et le paysage de L'Estaque à Varengeville 1906-1963 (exhibition catalogue), Musée Cantini, Marseille, 2006, illustrated in color pp. 65 & 172